I’m a republican to my bones, and the
notion of blue blood makes my red blood boil. However I was agog at the
extraordinary collective grief that occurred world-wide when Diana of Wales
died.
I wrote this piece in 1997 as an
attempt to understand the phenomenon.
It is the 17th anniversary of
her death today.
Diana The Mythic Princess
The stunning phenomenon which united
two and a half billion people watching the planetary theatre of Princess
Diana’s funeral, (September 1997) left many questions in its wake. The masses
of women and men sharing in a catharsis of mourning approached the mythical and
mystical realms of experience. The intense flood of grief aroused by Diana’s
death was intensely real, yet any intimacy we felt with Diana’s death, was in
fact illusionary. She was a woman who had become a mirror for millions,
absorbing and reflecting not only our fantasies, but our deeper selves.
We live in a time of profound
alienation, cut off from many traditional spiritual resources. Market forces
rule, custom dictates belief only in the ‘real’ and the exploitable. People
have become bereft of faith in the spiritual. Media-market- driven-make-believe
has become our heaven. Celebrities are a focus and prey for ordinary folk’s
dreams and yearnings. Film actors are like stars in our spiritual firmament; a
decadent live Elvis, dead becomes a religion; royalty become gods. Celebrities
and their cult of glamour, dwell in the place that once gods and goddesses
inhabited. Diana was the First Lady in residence within the pantheon of stars
that the media has made our Olympus in the late twentieth century.
Diana’s cult whilst she was living was
a complex and fascinating one, because it contained so many contradictions.
Poor little rich girl – was she media victim or wily manipulator, party animal,
or Our Lady of the Minefields? Her many paradoxes, plus her charisma, fed her
iconography in the tabloids. In life, she was seen as a fairy-tale princess
with all the trials and travail that a true heroine has to suffer and overcome.
She endeared herself to peoples’ hearts with her ability to speak out about her
bulimia, her lack of confidence and her betrayal by the Prince. Just as
fairy-tale demands, flawed, yet pure of heart, she became a true princess, not merely
a royal one.
A ballet shoe tied to the railing
outside Kensington Palace was inscribed “You
were a Cinderella at the Ball, and now you are a Sleeping Beauty.” Alas a
Cinderella with no fairy godmother, a Snow White with no seven dwarfs. No magic
wands or supportive home-help; this fairy tale did not live happily ever after.
Her pink and gold beauty was united
briefly with the dark and exotic playboy ‘prince’, who had stepped into her
life straight out of Arabian Nights. They were flying high on the magical
Mercedes carpet across Paris, City of Love. But woe, it was driven by bloody
Death, a drunken driver. The Grim Reaper mowed her down at the 13th
pillar. The shock waves of her entering that tunnel and into the black void
stopped all our hearts.
A light went out in the world and the heavens
corresponded with a solar eclipse. Diana left the media circus, the fairy
glamour, the soap opera of her life and entered the Underworld, the domain of
myth.
She was the First Lady of the World.
She is now the Lady of the Lake. Her resting place at Althorp, on an island in
the middle of the lake is mythical in its setting. The Lady of the lake is a
beautiful and powerful Celtic myth which offers us ways through and beyond
Diana’s death, to find meaning in her life.
Her gift to us is Excalibur, the
magical sword. In esoteric teachings, the sword represents the element of Air,
the new breath, the word, the pen the power of thought and communication.
Excalibur is the promise of renewal. We must grasp the clear sword of focus,
the challenge of new goals and new directions.
Of course it takes a hero to seize
Excalibur from the Lady’s disembodied hand – to transform and transcend our
emotions. And yes, we can all be heroes in a spiritual sense, if we strive to
rise clean, pure and refreshed from the healing waters of grief. We can become
the Lady’s heroes in a quest to overcome the very forces, the human Diana was
battling with all her life. Not only the causes of Hospices, Aids, and Land Mines,
but the need for us to revolutionize the sexism of spousal abuse, the
exploitation and commodification of youth and beauty, and the self-serving
invasive tactic of a competitive and amoral media. Daunting tasks indeed, which
only a collective Excalibur, wielded by heroes united in service of a greet
Queen of Love can undertake.
She
named herself Princess of Hearts.
“The love that asks no question, the love
that stands the test” (taken from the hymn sung at Diana’s request during
her wedding and again at her funeral) was
a guiding principle in her life. Love was a major link in the relationship the
public forged with her in their personal lives. She died with her faith still
intact in love, sweet love.
In the land of myth, the great Queen
of Heaven and Sea – Aphrodite - was
the Goddess of Love. She is a dominating archetype at play in Diana’s life.
Aphrodite was attended by the three Graces – Joyous, Flowering and Radiance. They dance through Diana’s style,
her caprice, her gaiety. Diana’s graces enchanted and fascinated as she flirted
with mass audiences. Look through Aphrodite’s mirror to see Diana’s
carelessness of consequences, her wealth and extravagance, her vivid brilliant
beauty. Thalia the Flowering, who crowned Aphrodite with flowers and casts rose
petals beneath her feet, was manifoldly present outside Kensington palace. It
was she who moved through the London crowds showering flowers onto Diana’s
funeral chariot.
Aphrodite rules laughter, joy and
little children.
Diana’s candour and child-like charm turned her into a
conqueror of hearts. The Goddess of love and beauty was married to Hephaestos,
the unattractive, crippled god, who is patron saint of all ungraceful but rich
men everywhere. He is ugly, but his jewels are not and he pleases his wife with
his gifts. He demands their return when the marriage turns nasty. Unbonnie
Prince Charlie was in an Olympian marriage to the Goddess of Love! When she was
caught in the web of adultery, we laughed at him and wept for her.
But our modern culture has an uneasy and troubled relationship with the Goddess. We have built no honest temple to Aphrodite.
In a time where politics, legislation
and culture are dominated by men, and all the major religions exclude goddesses
– I suspect Aphrodite and her immortal sisters are angry with us. In myth,
mortals are punished by the gods if we dishonour them. As if to prompt us to learn
to honour ALL the needs of our psyches, the Fates decree tragedy and catharsis.
The extraordinary reverence so many humans showed Diana in her death is perhaps
part of a new homage we will be prepared to render to Aphrodite – to our heart
chakras. Let the impulse for renewal that springs from the sadness of her
death, be one of daily worship and celebration of the vital, sacred need we all
have for ‘her ways of gentleness and all
her paths of peace.” (again taken from the hymn sung at her wedding and her
funeral)
The Goddess has many faces, and the
mortal Diana was the namesake of another great archetype, striding through our
ancestral consciousness. Diana or
Artemis as she was known to the Greeks, is the virginal Goddess of the
Moon. Diana of Wales was born with her Sun in the Moon’s sign of Cancer, and
died in the dark phase of the Moon. Artemis, who has become a shadowy goddess
in modern times, is the crescent aspect of the Moon and her chaste purity has
been partly absorbed into the cult of the Virgin Mary. Yet Mary, major icon of
Western Womanhood for 2000 years, is a curious hybrid of Virgin and Mother.
Certainly Princess Diana born under the Great Mother’s sign of Cancer, played
out her role of divine mother in providing a future King of England and a spare
heir. Her obvious love of children, her humanitarian work and instinctive
charisma she incorporated into the role of Mother of the Dispossessed, are
dominant strands woven into her complex cult, feeding her star saint status.
Her Madonna was a perfect counterpoint
to the vulgar American pop version. Diana’s deification startlingly resembles
the Spanish and Italian baroque excess of Mater Della Rosa. The universal
convulsion of grief which the world experienced as the Sun was eclipsed by the
Moon, in the zodiacal sign of Virgo the Virgin, could easily become a Mexican
wave of Madonna-Diana worship. Surely it won’t be long before people make their
pilgrimage to her burial place to be miraculously cured by the waters. The
Lady’s ghost will haunt us in many forms – apparitions in the London subways,
shrines in hospices and leprosy Missions. Dying as she did at the peak of her
youth and beauty, catapults her into the stratosphere of Divinity.
Diana
– Lover, Mother, but above all Diana the Virgin. The title Virgin signifies ‘she who
belongs to herself’ and Diana/Artemis is the representation of pure femininity
that is defined neither by relationship to a lover, child, father or husband.
In our culture femininity is rarely represented in the absolute, but always in
relation to some other reality in the masculine world. Female virginity seems
to exist for us only when it introduces the transformation into a “real” woman
– as if femininity could never be complete in itself.
Shy Di, the virginal
kindergarten teacher was transformed by her marriage made in media-heaven, into
the quintessential woman. Strangely though, even after the wedding, motherhood,
extra-marital affairs, she still remains the shy faun – the ingĂ©nue – in our
mind’s eye.
Diana’s beauty was indeed Venusian –
the English Rose with an ancient Greek profile. Yet Artemis is a beautiful
Goddess too. Diana Spencer’s beauty had an athletic, androgynous quality and
she carried herself with the psychic solitariness of a Virgin Queen.
Princess Diana consistently chose
fashion and music and Mediterranean cruises over hunting, horses and dogs –
Aphrodite over Artemis. But if her style was always Venusian – warm and sensual
– her attempts to get away from it all are pure Diana. Escaping the ritualised
killing of local deer and birdlife in the cold Balmoral forests, to holiday on
the warm beaches of the Caribbean, is still to honour Artemis’ demands – to
seek retreat, to know self.
Independence, solitude and privacy are
necessary prerequisites in Artemis’ domain.
But
how to defend her privacy against an impossible invasion on all fronts? Goddess of the Hunt, Artemis was
never violated.
Her story tells of Actaeon, the hunter voyeur who wanted to
contemplate the splendour of his goddess whom no man had ever touched. Artemis
caught him spying and without pity. She transformed him into a deer and he was
devoured by his own hunting dogs.
Guardian of Adolescence, the Virgin
Forest, the Sacred Grove, fierce Artemis sanctifies all the wild, undomesticated,
intact, physical and psychological spaces in nature and in ourselves. But this
goddess has been grievously wronged – dishonoured – in our culture. Men and
especially women who are so closely associated with nature, have lost the power
to defend a sacred territory, interior or exterior, physical or psychic. Nature
is universally exploitable and commercialised. Women and girls have become
violable and utilisable.
In olden days, our society had strict
controls in place to defend holy Artemis. When Lady Godiva rode naked through
the streets, the Tom who peeped, daring to defile her beauty, was stricken
blind and driven into exile by angry villagers. Today the Peeping Toms, the men
on motorbikes with computerised cameras and satellite-linked mobile phones, the
high-tech hounds of fame, break all taboos.
When the deep drives of a goddess are
repressed, distorted or actively violated, she will take her revenge. Artemis
is a savage deity; her arrow is cruel, sure and swift. Blood sacrifice is part
of her myth. Diana Spencer had been an innocent virgin cynically used and
sacrificed to the Palace of Patriarchy. Once she left the chilly bosom of the
Windsor Establishment, she became prey to the commodification of fame in a
global media economy. She became ‘the
most hunted woman in the world” and as if to propitiate an untrammelled
media’s voracious appetites, she was hunted to her death. The paparazzi not
only became her nemesis, but defiled her death like jackals feeding off
carrion.
Diana’s oh-so-modern death was not a
willing sacrifice such as Joan of Arc’s heroic death, but a hideous and
pathetic mauling. The terrible Hecate,
who personifies the dark of the Moon, let loose her death-dealing dogs and
extracted her bloody revenge on humankind. The angry goddess showed her dark
and cruel face, leaving us mortals in eerie silence.
Artemis, sister to us all, must be
appeased, if we are to be redeemed by her namesake’s sacrificial death. Diana’s
brother swore to vigilantly preserve her children’s right to privacy, to sacred
space.
Can we too honour Artemis in our lives? Is it possible to defend the
Goddess of Virgin Femininity from the rape of the Emperor’s mercenaries? Will
we become protectors of her sacred groves?
Bibliography
Pagan
Meditations. The Worlds of Aphrodite, Artemis and Hestia by Ginette Paris. Translated from the
French by Gwendolyn Moore Spring Publications Inc Texas. 1989.
The
Living Planets. Venus.
By Dana Gerhardt in The Mountain Astrologer. August/September 1997.